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Zora Neale Hurston

A guide to help users research the author and her works.

Zora Neale Hurston and the Caribbean

African Diaspora Tag Cloud

African Diaspora Tag CloudWant to know more? Explore the terms from this tag cloud and go in-depth on the subject of Zora Neale Hurston.

Articles that explore the Caribbean and Zora Neale Hurston

Emery, A. (2005). The Zombie In/As the Text: Zora Neale Hurston's "Tell My Horse.". African American Review, 39(3), 327-336.

Humphries, D. T. (January 01, 2011). Where ``death and the graveyard are final'': The Shifting Boundaries of Authority in Zora Neale Hurston's Tell My Horse. Interdisciplinary Literary Studies, 12, 2, 32-51.

Meehan, Kevin. "Decolonizing ethnography: spirit possession and resistance in Tell My Horse." Obsidian: Literature in the African Diaspora 9.1 (2008): 59-73. Expanded Academic ASAP. Web. 11 June 2012.

Meisenhelder, S. (December 07, 1995). "Sisters Under the Skin": Race and Gender in Zora Neale Hurston's Tell My Horse. Western Journal of Black Studies, 19, 3, 181-88.

Stein, Rachel. Remembering the sacred tree: black women, nature and voodoo in Zora Neale Hurston's 'Tell My Horse' and 'Their Eyes Were Watching God.'(Special Issue: Women and Nature).   Women's Studies. 25.5 (Sept. 1996) p465.

Trefzer, A. (January 01, 2000). Possessing the Self: Caribbean Identities in Zora Neale Hurston's Tell My Horse. African American Review, 34, 299-312.

Tell My Horse by Zora Neale Hurston Review by: C. G. Woodson The Journal of Negro History , Vol. 24, No. 1 (Jan., 1939), pp. 116-118

The Afro-Caribbean and Harlem Renaissance Literary Connection

Explore articles and books from various writers showcasing the Afro-Caribbean and Harlem Renaissance literary tradition such as Paule Marshall (Barbados) and Claude McKay (Jamaica).